The camera mostly stays right there, inches from Saul’s face, for the duration of this tense two hour experience. In the opening minutes, the physical chaos and shouts of desperation from Auschwitz-Birkenau surround Saul in soft focus, hinting at a terrifying bigger picture while keeping the action rooted in its main character’s personal conundrum. But Nemes lets those details steadily assemble rather than establishing them upfront. Slowly, it’s revealed that former locksmith Saul Auslander (Geza Rohrig) has been tasked with disposing of gas chamber victims, one of whom he believes to be his long-lost son. In the first shot of Hungarian director László Nemes’ absorbing Holocaust thriller “ Son of Saul,” the ill-fated protagonist stumbles into frame and arrives in an unflattering closeup, his grimy face and tattered prison camp clothes establishing an unseemly portrait.
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